關係真像一個半透明的燈籠，你想要看到裡面的燭光，那不過是一點移動的浮像。那天下午，偶然在Mubi頻道看到蔡明亮的一齣電影，他和他的固定演員李康生的一個長對談。這個深談關係的長談，真像我們在一個玻璃缸子外面，定鏡看一個燈籠裡面光點的移動。套用著清𥇦的語言體系，但卻游動於另一個平行時空。這個，也正是我喜歡使用影像創作的原因。
Relationships are like a semi-transparent lantern. You wish to see the candlelight inside, but it's just a shifting illusion. One afternoon, I happened to watch a film by Tsai Ming-liang on the Mubi channel. It featured a long conversation between him and his regular actor, Lee Kang-sheng. This in-depth discussion about relationships felt like observing the movement of light points inside a lantern from outside a glass tank, in a fixed position. It employs a language with clarity, yet it floats in another parallel dimension of time. This is also the reason why I enjoy doing photography work.